Summer Singing Camp 2010
Monday, July 19th thru Thursday, July 29th
9 weekday sessions – 13.5 hours in all
Evening Performance at 7:00 PM on July 29th
Concert of combined classes
Basic Beginnings for Young Singers
Students entering Grades 5 - 8 – 10:30 AM to noon
Students will learn basic singing skills (warm-ups, breathing, and projection). Sessions will present a gentle system and foundation for vocal growth. Appropriate habits will be stressed, along with singing appropriate songs for young voices. Each student will receive a comprehensive analysis of the voice type and range (soprano – very high, high, medium-high; alto – medium, low; tenor or changing). A brief, simple audition is required before the first session to help customize plans specifically for those in the camp.
$125.00 early bird - $150.00 after 6/30.
Limit – 16 maximum
Bel Canto, Ballad & Broadway
Students entering Grades 9 - 12 – 1:00 – 2:30 PM
These sessions will focus on the ‘bel canto’ (beautiful singing) technique, as it is surely the best way for singers to build vocal range and power. Most untrained singers have a range of one octave or less. Many of the popular Broadway songs require a range of one and a half octaves. Singers will be coached to develop a solid foundation of technical skills. The class will employ some of the updated techniques presently taught in New York and Philadelphia (vocal warm-ups, body alignment, vowel production, power breathing and expression). Each student will receive a comprehensive analysis of voice type and range. A brief, simple audition is required before the first session to help customize plans specifically for those in camp.
$125.00 early bird - $150.00 after 6/30.
Limit – 16 maximum
Meet the Lead Teacher
Ms. Gwendolyn Bowers (Lentz), Mezzo-soprano
Ms. Gwen Bowers made her New York debut with the New York Philharmonic Orchestra at the Lincoln Center under the direction of Maestro Kurt Mazur. She recently sang the roles of Ulrica in Un Ballo in Maschera and Addie in Regina with the Des Moines Metro Opera Company, receiving the follow reviews in October 2008 Opera News: “Gwendolyn Bowers delivers a fine Ulrica who easily plumbed the sorceress’s contralto depths, and her imaginative, fluid characterization was mysteriously imperious. Bowers morphed her menacing Ulrica into a nurturing (and limelight-stealing) earth-mother as Addie.” These two operas from different genres showcase her versatility. |